File:Olivia de Havilland and Pierre Galante with Child 1956.jpg

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Olivia_de_Havilland_and_Pierre_Galante_with_Child_1956.jpg ‎(449 × 594 pixels, file size: 174 KB, MIME type: image/jpeg)

This file is fae Wikimedia Commons n micht be uised bi ither waurks. The descreeption oan its file descreeption page thaur is shawn ablo.

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Descreeption
English: Olivia de Havilland and Pierre Galante with their new-born daughter Gisèle in Paris, July 18, 1956
Date
Soorce eBay
Author Unknown authorUnknown author
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(Reuisin this file)

This is a publicity photo taken to promote an actress. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements ... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs." ("Fair Usage Publication of Film Stills" by Kristin Thompson, Society for Cinema and Media Studies)

Licensin

This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

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current15:29, 9 Apryle 2016Thumbnail fer version aes o 15:29, 9 Apryle 2016449 × 594 (174 KB)Bede735Adjusted the brightness, contrast, and tone, cropped
15:28, 9 Apryle 2016Thumbnail fer version aes o 15:28, 9 Apryle 2016764 × 500 (65 KB)Bede735User created page with UploadWizard

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